Keys Patches

Gritty sound for pads or for lead parts

random filtering sound to use with active steps against drums

Acid Bass + High Flute VCF cutoff change to modulate Add external distortion + delay + reverb for finesse

A swelling and gritty whale wail

Using the LFO to make some pulsing gritty bass pads. Also adjusting the VCF Cutoff for sequence performance or automation.

Kinda orbish every growing brain sound

Interesting sound i made based off the Dystopian Sound i found here

Just a random bass sound (use feedbqck knob to make it fatter)

Rave lead based off Gritty Casino

i like how this sounds i dont want to forget it

Manually turn the sustain knob up and down while playing to change the pitch.

Tried my best to make a Polysix like Synthwave Bass. You may want to tweak the patch a little to get the right sound that you want. Sounds best with a delay set to 0.1ms, some chorus and saturation.

PLAY C ON THE FIRST OCTAVE OF 2’ TO GET THE ORIGINAL PITCH!!!! Tried to make it as close as possible. Still a newbie to sound design though, so you can figure it to your liking :)

Gameboy-esque chiptune flute thing with vibrato. Adjust LFO rate and pitch intensity to taste.

Twisting the cutoff gives a nice Whaaaaa. Withbdeep initial undertones.

+ Ableton Midi Automation on: - Detune - Portamento - Cutoff

Basic muted lead for house type

Fast 16th note sequence: C#, C#, D, C#, C#, D, C#, C#, D, C#, C#, C#, C, C#, C#, C# repeat B, B, C, B, B, C, B, B, C, B, B, B, A#, B, B, B repeat

A shot at recreating the intro scene sound from the horror classic "The Shining"

Bass made in a hot spring morning in Valencia, Spain