Bass Patches

Use the Pitch and Cutoff controls to create the maximum experience.

For Ducking rate : push button FUNC + knob RATE and choose R0.4.

Pulse bass on m4 note, all steps activated on 120bpm. What is cool is to shut down the sustain after a while.

Bounce bass

A simple recreation of the pad sound in "Emotinium (Secret Mix)" by Roy of the Ravers. The sequence matches what's played on the track, but condensed to fit in a 16-step sequence, so you'll have to match the tempo yourself.

This creates a flute-like sound by oscillating a relatively low cutoff value to create a vibrato effect. The slow attack and delay make it seem more natural. Slight detune gives it some body. Turn peak up to boost the lower frequencies if you want.

Sounds like the sound effect they use on the simpsons when something gets irradiated. Play the M2 key (A#1) when octave is set to 3. Adjust peak to your liking. It just adds more bass.

the first step is: tempo at 240 & push PLAY step 2: touch and record randomly the notes from the pitch 1,2 and 3 in the lowest octave step 3: get a more natural and random sound deleting steps with Active Step Hope you like it!

Note m4, all steps activated on sequencer. What is cool is to shut down the sustain after a while.

Pretty Fat Bass sound, Mod Cutoff and res

The biggest bass patch I've found so far

-Play with decay/release and cutoff eg int -Toggle VCO2 between square and sawtooth *Runs with Zoom MS CDR-70 Patch which is a compressor and clone chorus *Sequenced in Digitakt

Pitch 1 set at -20. 2 at 05n 3 at 20c

Tweak the peak setting to get sci-fi space ship sounds.

Use step recd and input. M4,8,11,15,16,15,11,8. Set tempo to around 90 and edit steps 1-8 to play Adjust cutoff to get more punch whilst playing.

Hold keys for trumpet like effects. Program tightly in steps for hooting sounds

Once set up hit m13-m16 for mock phone calls.

LFO rate = rt.04, LFO INT (0) < (50)% , play with the : VCF CUTOFF, shift LFO accents using FUNC + RATE, turn off CUTOFF modulation FUNC + M6 = sidechain compression effects, play with the: PEAK, CUTOFF EG INT, LFO INT

LFO,Cutoff,res,EG dec/res, EG int, LFO target can all be modulated. I used a DS-1 on minimal distortion to get an acid sound.

Modulate the EG decay and release ad mod the filter cut ad res. You can make a good wobble effect if you put some attack on the filter. I used a DS-1 Distortion Pedal with it. I turned down the volume on the volca so the pedal was acting more as an amplifier giving it some saturation.